Bowling thru The Donut Holes, More on Hatching
Meanwhile: Value in the Fantasy Isles: reflection, affection, projections, inflections, expansions, free floating points on dimensions number and space, friction and flux
Going to Nash Ville
John Nash said his wilderness vanity projects, the cud and thud that sustained his madness, was too easy for him, came from the same place as his “genius” for abstractions in game theory.
I remember thinking: like that.
My wayward going in after the “float” in language comes out of the discovery of my brain when still a bairn, and there wasnt allowed anything to do or anywhere to go. Except examine the contents of the mind set free on find…
To pull in past and pasts that only exist as thought dream or ideology theatre religion logic —
All swim and swam together, futures that will never exist and yet already — heaved to have — many times over. The history of its trauma to freedomnessesss….
As if thinking in sets, free from reality to roam, and coming up with every set is an infinite set, to allow for zero…
Is no different for me from searching down “beauty.” And all are in a way — engaged by creating new ways to deal with - how bloody easy it is to fall back into innocence and its hell holes of despair like a gun to your head? Screams from the wilderness..
These things — all, exist for me, as an altogether now, like in Marcel’s stairwells.
In poetry/narrativity, I am a bundler it seems who came to call it - living in The Eternal Now.
My petting zoo — kidding thats a joke. Mind is a goblin on roof of Notre Damn watching for fire listening for snow.
I didnt know it could have any outward expression, until what happened with the Rhymers who explored its functions, did reinedeer games, let things find their “form” —
MORE on Hatches versus Fashion Bodies
I am pushing thru on hatch marks. In fashion drawing theory I often work with relatively defined structures that are about body and the clothes. In fashion I dont really use the hatch method. A little for finding shading — What its about are the clothes, how they are cut and sewn even, how many layers, volume of sleeves, where the arm is underneath, etc.
I love the hatch mark method for Hunky Dories. I got a naked boys book at The Strand eons ago, that is absolutely wonderful, THE MALE NUDE one of the books I use to draw bodies from. Ive drawn nudes at Salmagundi Club, at Art Students League, elsewhere too, all over town. Now I draw at home, use pictures because I have a beautiful collection, more than 50 books on bodies, and drawing bodies…
Like the poetry its something I also have to return to — as a relation between paper surface and my pencil…