Let It Snow
The Loose and The Found
Bearables Crave Protection
Boredom and flirtation to me are Huggies with a tear. Hi is obsessed with idea that hi am protecting the goods from forces that would refrain from being hover the top literary, would refrain Moi from hanging out with Kennar and Mann!
Hi stick by rhyme for its freedoms — whilst pursuing a formal — exploring / employing form — hex animation, what with logical discourse. Which find intoxicating.
O — I can still hear Shelley’s letters — his wandering quizzical prose as it suddenly shows up in Jj zones. Never noticed that before, as clearly accessed.
Nina Simone’s Gum, Shelley’s Wunderwear. Its like found magic.
The Loose and Found
Writing to the loose and found, openly. Anyone can access. Creates a sandbox for exchange of “liquids” — that lie in “bottles” along the waterway. These are letters of affection. For evidence of things not seen.
Cutters arrive as a merciless mystery, mysteries are merciless? mysteries concatenate, fascinates the tenderness. Tenderness is a pirate of desire.
Must work hard — doubling down even, whatever that means, to keep assassins curse of terror blindness from brutality of the haunt at ledges of reason.
Scores of primitive lurches emerge from the mystic, being lived through as a shocking perturbation of “blood reckonings” with tragedy of the sublime.
Char Tar Car
Transformationals, char are. Make my own names for nina’s gum, for my absorbing notes in structures.
And, as rhyme, there being a thousand roots thereof, char can be anything.
Theme or figure. Mergers and purgers.
Switches gdhepme how I love switches, they can float up bloat up — floaters switch between theme and fig — pynchon does that. Fiction itself, for me, is about the way rhymes smelt molt and teeter, into mining the switches.
Kind of like Pessoa criss crossing niches with squad runs for lang Philo, I see Philo too as a cartoon. Philo and Fiction are second cousins. Philo is all over JJ. O rather the other way around, Becks too. Mann also… Also Foster Wallace, and Lester Bangs.
Cartoons emanate from horror and like Beckett canning/unmanning a wickedness of the dead pan that flabbergasts — racing from boredom.
Prose in pursuit of meth thuds from Didion and Pynch, that are about allegory and math, number running, as metaphor with brushes with science, time occupying distance ? Up in tree, with Sweeney, throwing runaway kisses.
The Ironic German
Grace is not the same as righteousness.
That is from a discussion in a vunder book have been reading about Thomas Mann, on his fiction and his meditations.
Mapping religion as a relationship between ethics and reason… and the nature of Grace.
Religion Ethics Aesthetics and Reason, in Mann’s meditations, he captures the sincerity of his turmoil over, as confronts and surrenders to what Lacan might call the “crack” in metaphysics.
Laughter can now think of as a grace, graces being a party to the sublime ?
Nina Simone's Gum in window in serious lovely bookstore on Prince Street. Housingworks bookstore is still open on Crosby.
Thomas Mann The Ironic German by Erich Heller. “…learned a good deal about Thomas Mann from [this book]…” T.S. Eliot.